Everything you need to develop and perfect your manuscript, get it designed, produced and exposed to the world.
Get The Offworld Author's Guide to Self Publishing FREE !
The Offworld Authors’ Guide to Self Publishing is based on a coalescence of industry stats, author experiences, articles and opinion. Written by the Offworld Team and completely FREE. Get it now while it’s HOT. OK, really useful. Depending on the season, you may just get a little surprise, maybe a photo, maybe even a song.
Everything you need to develop and perfect your manuscript, get it designed, produced and exposed to the world.
Get The Offworld Author's Guide to Self Publishing FREE !
The Offworld Authors’ Guide to Self Publishing is based on a coalescence of industry stats, author experiences, articles and opinion. Written by the Offworld Team and completely FREE. Get it now while it’s HOT. OK, really useful. Depending on the season, you may just get a little surprise, maybe a photo, maybe even a song.
Everything you need to develop and perfect your manuscript, get it designed, produced and exposed to the world.
Get The Offworld Author's Guide to Self Publishing FREE !
The Offworld Authors’ Guide to Self Publishing is based on a coalescence of industry stats, author experiences, articles and opinion. Written by the Offworld Team and completely FREE. Get it now while it’s HOT. OK, really useful. Depending on the season, you may just get a little surprise, maybe a photo, maybe even a song.
Articles and Posts
Authors and Pros can post about what they know, what they do or find each other. And check out our Videos and Podcasts.
Writing
Post anything you like about the art of writing, favourite writers or how your writing skills can help other writers.
20Editing
Post anything you like about editors, the principles of editing or how your editing skills can help writers.
4Design
Post anything you like about cover and internal design or how your design skills can help writers.
2Copyrights
Post anything you like about copyrighting a book or how your legal skills can help writers.
3Production
Post anything you like about book production or how you can help writers produce their books.
1Publishing
Post anything you like about self-publishing a book or how you can help writers publish their books or attract agents.
12Publicity
Post anything you like about book publicity or how you can help writers get the publicity they need.
1Reviews
Post anything you like about book review or how you can help writers by giving a review.
1Marketing
Post anything you like about book marketing or how you can help writers get their story out there.
2Audiobooks
Post anything you like about Audiobook or how you can help writers create a great Audiobook.
1Translation
Post anything you like about book translation or how you can help writers find multi-lingual markets.
1Promo Videos
Post anything you like about book promo videos or how you can help writers create a great promo.
1Webinars
Post anything you like about Webinars or how you can help writers generate income from sharing their skills and secrets.
1Movies
Post anything you like about adapting a book into a movie or how you can help writers with a screenplay that rocks.
2Websites
Post anything you like about Author Websites or how to help Authors create the best website for their books.
1Funding
Post anything you like about getting Funding for any stage of your writing journey or help authors get that funding.
1ISBN
Do you need them or not? Post anything you like about ISBN book codes or help writers figure them out.
1
- PublishingDandora Boy is a children's book, written by Dominic Schunker for the Solomundo Foundation's 8020 Project, aiming to bring literacy to the poorest regions on Earth. Life in the Korogocho slum goes on as normal for four 10-year-old friends, fetching water, doing chores and trying to find things that might be worth some money from the local Doma dumpsite. Like most of us, they have their problems. James' parents might have to move to a farm in the country, Wesleys mum is sick and Hiltruds bff, Chantelle, needs a foot operation. And then one day they meet a magical boy, Samuel, at Doma. Samuel can disappear whenever he wants and when he asks them to go with him, they jump at the chance if it can change things, to get some money they wouldn't normally have. They set off with Samuel on a bizarre trip that shows them worlds they couldn’t have imagined. They travel hundreds of years into the past. They become the size of a bug and skate on plant leaves. Their trip teaches them how to read and write, teaches them about numbers, how to navigate, purify water, how to grow healthy plants and they hope it can show them how to get some money to help them. When their travels finish, they realise they didn’t get any money to help the people they love and they are annoyed with themselves. Those wonderful places and nothing to show for it. Then they realise, they did get plenty to show for it. Although their trip didn’t get them money, it did show them how to make money and how to make the world around them cleaner and safer for everybody. So they start doing what Samuel showed them. They purify their own water, grow their own plants and make the money they need to help everyone and also teach them how to do the same they are. Take a look at the videos on our 8020 project as well: The 8020 Project Goal https://youtu.be/K4X9Tjo9Dgs The Making of Dandora Boy https://youtu.be/T7Q465dsols Korogocho, the Documentary https://youtu.be/vOMnetKDDjQ And donate to our project so we can do this more https://donorbox.org/jamwriter8020 Check out our 8020 website for more details https://www.offworldpublishing.com/jamwriter8020Like
- WritingSo, you've decided to have you book ghostwritten. How much will it cost you? OK, first, like anything, are you hiring a sure-fire winner, someone who will transform your idea into a truly publishable book, perhaps even a best-seller, someone who has years and years of experience? If so, you pay for the privilege at about $100,000 plus perhaps a royalty share. Or if you're less ambitious and you just love the style and outlook of a writer but he/she is not well-known, not yet an authority, perhaps you can get it all done for about $30,000. But let's think about that for a moment. Although your writer may be well-known (and we know agents and publishers love well-known authors) remember the whole idea of ghostwriting is they get no credit on the book. For all intents and purposes, you wrote the book. So what value is there in your writer's name? This is where business and fiction writing diverge. Perhaps you might consider giving them a credit on the book after all. For business content, not a big deal. The exposure and authority of your book is way more important than the vanity of who wrote it. That name would definitely help you. If a company advertised their stainless steel razor blades, why wouldn't they mention their supplier if their supplier is well-known as supplying finest steel. Maybe they supply steel to the leading Japanese sword-makers. That has to be a plus, an authority. All you have to do is get your head round the fact that actually everyone can see you didn't really write the book. For fiction, however, vanity (or I prefer realism) is stronger. This is your baby. You've developed a concept and perhaps the basis for the plot all on your own. The point is not to secure sales by showing someone else is a great writer. You want your idea out there. You just don't have the time to write 100,000 words at the same time as taking Billy and Jack to school, holding down a full time job and then entertaining Billy and Jack later. This is why fiction ghostwriting is often unfairly considered a vanity. Some folks will throw money at a problem and cost it out so a profit is made, some don't have the time, as we said. But some just want a writer to put their idea down in a way that they know readers like to read. They can make sure the reader is invested in reading it from page one and it keeps them excited toward that twist at the end you love so much. Your idea is strong enough, get it written as people will, want to read it and you're away. In summary... For business, add an authority brand to your effort and credit the ghostwriter. For fiction, it's not necessary but there's still a way your writer's identity can help you. You can credit your ghostwriter in another way. Call him/her an editor. After all, they will have edited it as well. That way the industry can see it's had some professional intention and it's more likely to have a look, it's still your idea, your baby, so it reeks of your DNA and your writer gets paid and gets a cheeky credit, always nice.Like
- WritingSometimes, when I'm chatting with a new friend somewhere, he'll tell me what he does to earn a crust, usually the sensible stuff, banking, broking, baking or building. And then I tell him I'm a Ghostwriter and it usually needs a bit more of an explanation. Once he understands the general idea, the first question is always the same: "What, so you write it and they say they wrote it?" Even when I tell him I get paid to do just that, he looks at me like I've just kicked his cat, face all scrunched up, confusion and intrigue. How can I do that? More importantly how can the supposed Author do that? How can they say they wrote a book or an article when they didn't? Isn't that like sticking jobs on your resume you never had? In fact for years now, certainly since I started doing this, there's been a fair bit of controversy all over the web about the topic of ghostwritten blog posts. Most of the articles on the subject are mild-mannered discussions about it, but why do so many people get so angry? And they've been angry at me as well. One told me it's like human trafficking. I've been brought from some horror show of a place to Europe only to be exploited, my dignity locked up in a draw. One said the supposed Author is plagiarising me. Another said I was the plagiariser! Whether or not one understands the definition of plagiarism. Whether or not it's face to face over a small beer somewhere after a day in the fields or on the internet discussion groups, the same buzzwords keep cropping up: Ethics, transparency, integrity, disclosure. After a while, believing feverish logic was firmly on my side in the main, I need to generate a response that could educate and appease at the same time, perhaps even extract a eureka exhale, a look to the skies toward clarity. Understanding. Acceptance. I'd mention that what they're having a problem with here is something that's been all around them all their lives and well before they were born. It's a fundamental part of business, delegation. We know the President doesn't write his own speeches right? Sure, he wants to get his message across but he doesn’t write it. It's ghostwritten. Of course it's ghostwritten. We understand the word ‘speechwriter’ and we get that but call it ghostwriting and it's a different kettle of fish. And do they really expect a bit CEO to personally chip in with 500 words for the newsletter? When a footballer decides to tell the world all about his life and career, he hires someone to write his autobiography. They are his memories and feelings and his family stories but a professional writer has pulled it all together for him into something that is... you guessed it... marketable. Because ignore all you want, forget all you need, the bottom line is marketability. That footballer isn't writing a book for posterity, so his grandkids can say "grandad did that". Like pretty much everything else, its about expanding his brand and making money. I'd remind the doubters that every aspect of a successful business crosses over into things they really shouldn't know anything about. It's perfectly logical for a former pop star to develop clothing or perfume brands. You can see that. Is she expected to make her own shoes? Paul Newman was an actor, a great actor, but what does he know about spaghetti sauce? Sure, he probably didn’t mind a decent spag bol on occasion but was he a chef before he became an actor? At least we knew Harrison Ford was a carpenter before we saw him on our screens. Fine, so Harrison Ford is perfectly entitled to go out back and build a shed and then sell that shed if he wants. Come on people, say it after me: Brand Loyalty. Paul Newman spaghetti sauces rely on brand loyalty. They're also some pretty tasty sauces but brand is everything. Of course if a marketing bod tells you to expand into other things and shows you the money, why not? We know all this. We've always known this, maybe just never given it this much thought. It's always been happening and we've always been comfortable with it. Incidentally, George Lucas didn’t hire Harrison Ford to play Han Solo after excessive rounds of auditioning and callbacks, haggling and pleading. No. George Lucas met Harrison Ford while Harrison Ford was installing a wooden door at Francis Ford Coppola’s house. So, the logic of it, the fact its been happening under different names for as long as humans have been writing things, the logic is there for all to see. But this is an ethical issue. There was a thread of discussion about social media that understood all of the above but felt on social media platforms, surely its all about connection on a personal level. The idea that someone is connecting and sharing with someone isn't actually the person you thought it was would make you angry. OK, first of all, you might end up seeing the occasional or not so occasional advertisement, sponsorship or other blurb to sell you stuff. Facebook pages, sponsored tweets, its endless. It's marketing. Conveying messages to a customer using the basis of good solid copywriting. For over a century, when marketing managers decided to launch a new advertising campaign, who do they call? A Copywriter [kop-ee-rahy-ter]. Noun. A writer of copy, especially for advertisements or publicity releases. (Origin: 1910–15). Courtesy of Dictionary.com Copywriters have never signed their name to the bottom of their ads. They get paid money to do it. Because in life, if we have a budget, we hire people who know the industry and do it better than we can. But advertising on social media isn’t what they’re saying. They’re saying that on a personal level, false representation makes us feel dirty. Duped on a deeply personal level. The ethics issue is still valid. Let's dig into that a bit. Split social media into two. You and your friends and your antics and selling stuff. The ghostwritten content that we see isn't Tammy next door telling you about her day. Tammy hasn't engaged Jeff to get it all across to the rest of us because Tammy’s got stuff to do. That's where the personal relationship is paramount. When you and Tammy go down to the river and throw stones, Tammy can recount her day exactly as she wrote it. No. The ghostwritten material we read on social media is selling us stuff, plain and simple. It’s no more or no less valid than seeing a billboard with the CEO of a pharmaceutical firm saying “I’m your friend.” At a point that little Tammy does start getting Jeff to organise her social media content and tell her friends it’s her, then that’s a matter for friendship not the channel of its conveying. So what I think people are actually say when they rile against the concept of ghostwriting is they’re riling against the concept of capitalism. Deep down, or even closer to the surface, they know full well this has all been going on for ever. And we all know we're slaves to it. That’s the irksome part. We buy into it even if we know Paul Newman didn’t actually make that sauce. And that's what makes us angry too. Ghostwriting just seems a soft target to vent frustration. As far as we who prostitute ourselves and ghostwrite, that’s the point, we get paid so don’t worry about us. They hire me because I write well, and they don’t. Or I have the time to write and they don’t. Or I like to write and they don’t. If you have a problem with the ethics of ghostwriting, you have a problem with the ethics of life. In that regard, it’s easy to stand with you full strong. And perhaps therein lies the rub.Like